The end of the Findaway Voices saga (hopefully?)

See part 1 and part 2 for context.

Last night Findaway changed their terms of service last night to something mundane, but it doesn’t matter.

I’ve worked with developers for decades. Developers do extra work, but only certain kinds of extra work. They will rearchitect your entire front end in Rust and Pascal for the sheer joy of it. What they won’t do is change the terms of service for the fun of it. That’s boring.

I know several lawyers who have fun drafting proposed contracts. This isn’t that.

Someone came to the Findaway web site developers and said “Add a popup with these new terms of service.”

Were those ToS an error? If they were identical to the Spotify ToS, then I’d accept a copy-and-paste goof. They were not. Someone wrote them.

Additionally, it was pointed out that opting out had a 30 day lag, and the announcement was made 30 days before it would take effect. If you didn’t catch it immediately, Spotify would assimilate your work.

Lawyers are accustomed to negotiating with other lawyers. Everybody starts by asking for everything, they bat it back and forth, either meet in the middle or amicably end negotiations. The initial ask includes things that they know they won’t get, and things that they can discard so they can show they’re being reasonable. It’s a dance.

These online terms of service from tech companies? They start the same way, but they’re negotiating with the public. They wait to see what gets pushback.

They’ve shown us what they want to achieve, and it’s antithetical to our art and our craft.

Spotify has no pointy-clicky way to delete books from their inventory or your account. You can go in and delete the individual MP3s, however. You can change the cover art and description to Removed Because Spotify’s Business Practices are Unacceptable. You can then email support@findawayvoices.com and ask them to delete your account.

Hopefully, I am now done blogging about this.

I hear that Author’s Republic, which imperfect, has viable options. I haven’t read their ToS, though. You should read them for yourself, and ask how they’ll be used against you.

Findaway Voices followup

Yesterday I posted about Findaway Voice’s rights grab. Last night I received this email from Findaway Voices.

Earlier today, we shared planned updates to our Findaway Voices by Spotify. Terms of Use that are set to take effect on March 15, 2024. Our goal was to introduce language that would allow us to offer authors innovative features, improve discovery, and provide promotional tools such as share cards while assuring authors that you “retain ownership of your User Content when you post it to the Service.”

In the hours since, we’ve received valuable feedback, and we understand that there is confusion and concern about some aspects of this language. We want you to know that we hear you and are actively working to make clarifying updates to alleviate your concerns.

We are deeply committed to your success on Spotify. In the meantime, please stay tuned for more details.

I’m not going to bother ripping this apart line-by-line, but I will comment on “confusion and concern about some aspects of this language.” We are concerned because there is no confusion. I am not a lawyer, but I am accustomed to reading rights agreements. They haven’t even agreed to delay the implementation of these license terms. Those terms were reviewed by a lawyer and were not mistakenly uploaded by some overworked developer. A press release does not override a legal agreement.

It’s been suggested that this was an example of a lazy lawyer copying from an existing agreement. A person’s motives don’t matter. Only the harm they inflict matter. And if Spotify has this boilerplate lying around to copy from, that’s a really bad indicator.

I have no doubt that they will follow up with something less objectionable, but the problem is: they’ve shown their goals. They have written down and showed us what they want to achieve, and it is hostile to writers making a living.

Many musicians dislike Spotify. I can’t say all of them hate it, because there’s always an exception. Multiple musicians have removed their music from Spotify. Taylor Swift pulled her music from it. It reappeared without explanation, which is business-speak for “after years of discussion we negotiated an acceptable deal that included an NDA.” Good for her.

My first book came out in 1992. I’ve been through the business wringer. When I have a business question these days, I ask myself “what would Taylor Swift do?” (Or WW James Patterson D, depending on the problem).

Corey Doctorow made a splash with his neologism enshittification. It’s short, punchy, and has great emotional impact, but the concept is not new. Every public corporation in the Western world has the goal of permanently binding customers to them. They want to be the sole customer for their suppliers. Every company has tried this, for decades if not centuries. Ubiquitous computing and digital distribution of art has given them a huge new tool.

Remember that you don’t write books. You create and license intellectual property. Read the Copyright Handbook. The new edition is on top of my TBR pile.

My strenuous advice to everyone is: do not become dependent upon any one business partner. Be able to pivot at any time. Do not take bad deals that lock you into a single customer or allow others to pillage your intellectual property. Those Spotify terms? They allow any use of your audiobook. Run it through text-to-speech and then through text-to-video AI. Poof, there’s the movie. It’ll be a bad movie, because film is a distinct art from books, but its mere existence will hurt the value of your film rights.

I set up my own bookstore a decade ago, and spent ten years refining it. I turn down bad deals from publishers.

Writing is a long-term game. A career in creativity is the greatest life I can imagine, but it takes decades. If you need money now, rob a billionaire. My goal is to spend the rest of my life doing work that I enjoy. That means telling the exploiters “no.”

Dear writers: Delete your Findaway Voices account NOW

[update in next post]

When Findaway Voices first appeared, it made it comparatively easy for independent authors to do audiobooks. Audio was still hard, mind you, but it was possible.

Spotify bought Findaway. They began playing with payments, refunds, and returns. And now, the licensing terms have changed.

Accordingly, you hereby grant Spotify a non-exclusive, transferable, sublicensable, royalty-free, fully paid, irrevocable, worldwide license to reproduce, make available, perform and display, translate, modify, create derivative works from (such as transcripts of User Content), distribute, and otherwise use any such User Content through any medium, whether alone or in combination with other Content or materials, in any manner and by any means, method or technology, whether now known or hereafter created, in connection with the Service, the promotion, advertising or marketing of the Service, and the operation of Spotify’s (and its successors’ and affiliates’) business, including for systems and products management, improvement and development, testing, training, modeling and implementation in connection with the Spotify Service. Where applicable and to the extent permitted under applicable law, you also agree to waive, and not to enforce, any “moral rights” or equivalent rights, such as your right to object to derogatory treatment of such User Content. Nothing in these Terms prohibits any use of User Content by Spotify that may be taken without a license.

Spotify may now do anything they want with your audiobook. They will–not can, will–feed it to their AI system and use it to rip off your work. They specifically declare you can’t complain about derogatory uses. They can mix your book with work you find abhorrent and release it as a new product. They can use a speech recognition system and create a printed version of your book.

I have one audiobook. I pulled it from distribution when the royalties problems started and I stopped getting paid. That audiobook became exclusive to my store on 17 January 2023. It has fewer sales, but I’ve made more than I did in all the years before. (“But exposure,” some folks will say. People die of exposure.)

It’s not enough to stop distributing your work via Findaway. If you use them to store your audio files and nothing else, the new terms apply. They have no automatic option to delete titles from their site. I just sent this email to their technical support.

Hello,

Findaway’s new terms of service are unacceptable. Please delete my
book and my entire account.

Thank you.

No need to be rude. It’s not the tech support flunky’s fault.

Also, I’m super happy with how my one lone audiobook came out. If it sold more, I’d do more.

Las Vegas NV Gelato Meetup, 17 February 2024 at Cocolini

A few weeks ago I posted that I’d been sentenced to a week on the desolate Lost Vegas Strip.

There’s an outdoor gelato place near my cell: Cocolini. Apologies for the Meta link, but that’s what they got. It’s at 3717 S Las Vegas Blvd, Las Vegas, NV 89109.

You see that corner in the lee of the sidewalk? Right under the NO TRESPASSING NO LOITERING sign, in between the ads? I’ll be hanging out there at 7pm this Saturday night, 17 February. If you want to meet me, that’s your chance.

In the event there’s a crowd there for some daft reason, I’ll be hanging out on the other side of the walkway by the other NO LOITERING sign. Signs forbidding loitering are great places to hang out, because very few people hang out by them.

I leave Vegas early the next day, so it won’t be late. I have no idea what the crowd will be like. I’ll only meet people outdoors, though, and that’s the best spot I found in my busy two hours of walking around.

Everything, With Banana

A decade ago I looked at everything I’d written and said “How tall is a stack of one copy of everything? Waist high? I wonder… if I include one copy of every edition of everything I’ve published, can I publish a stack tall enough to drown in?” I achieved that in 2022.

Today I would like to say: if I had not quit putting my short stories in print, today’s stack would be safely wedged against the ceiling and I wouldn’t be stuck holding it.

Every time I publish one of these people ask me questions like, “how tall is that?” I don’t know, I’m too busy holding the damn thing up to measure it. “Well, how tall are you?” Tall enough that my feet reach the ground. “How tall is that bookcase, then?” Dude, ask freaking IKEA, I have no clue. In an effort to forestall these and all related questions, here’s the same shot but with a banana, for scale.

I’m not going back to put last year’s stories into print just so I can achieve Load Bearing Heap. I need to write new things.

Mail Software Projects for You

Working through the tail of Run Your Own Mail Server has led me to a couple things I’d like to see. Maybe some reader would like to hack on one of them.

1) The best way to generate a list of hosts that should bypass Postfix’s intrusive protocol checks, or anything that resembling greylisting, is the postwhite. Postwhite has been abandoned for years, though. This isn’t exactly a problem, as it’s feature-complete and does the job. The configuration is clunky, though. It supports a long-obsolete list of Yahoo mailer addresses. The list of domains it generates lists for is hard-coded in the script, and artificially broken up into categories like “legit bulk mailers,” “social media,” and so on. You should not have to edit the script to remove a domain, because who accepts mail from LinkedIn these days? You shouldn’t have to edit the script for anything. The last edit to this was six years ago, so I suspect it’s basically abandoned.

Moving the domains to an external file and dropping the defunct Yahoo page would be good. If you have to fork it, using a meaningful name like “greyskip” or somesuch would be nice.

2) Postfix on FreeBSD supports blacklistd. That’s grand. Log parsers are inherently fragile, and libblacklist is the smart way for an application to declare that an IP address is misbehaving. The Postfix support only applies to authentication attempts on smtpd, however. I’m in favor of that, but I’d also like to see postscreen grow libblacklistd support. A host on a trusted DNSBL pokes our mail port? Block it.

I could do #1, but I lack the time and refuse to recommend my fault-oblivious code for production. I lack both skills and time for #2.

The truth is, we’ve limped along like this for years. We could limp for many more years. But hey, someone out there might want to make the world suck slighly less.

Block list vs black list in my books

Open source software has been adjusting its language. In a world without systemic racism, technologists could use words like “master” and “slave” without worries. While the Internet’s primordial developers chose those words without malice1, we don’t live in that world. Much of the software in Run Your Own Mail Server is older, however. Many people who don’t speak English natively don’t fully understand the implications of “black list” and “white list” and don’t want to go through the annoyance of changing them in large code bases.

Part of my job is to be easily approachable to all readers who connect with my voice.2 That means using language correctly. block list.

Another part of my job is to tell the truth. The software calls it black list. No matter how hard you search, you will not find rspamd’s block list.

I’m not going to reject rspamd or postwhite because of their language. To do so would inflict extra pain on my readers. So I’m putting this (raw, unedited) text in Chapter 0.

Today, we use the term “allow list” for entities that are permitted to skip a layer of protections, and “block list” for entities that are categorically refused. Many older programs and some software developed by non-native English speakers, still use the older blacklist and whitelist. This book uses modern language except when configuring those programs. Do please encourage your favorite developers to update their language to the 21st century, however.

This is the same approach I used in the latest Absolute FreeBSD with my beloved blacklistd, but made explicit. Also, blacklistd has been renamed. Even we greybeards can do better.

I much prefer using consistent language throughout, but reality has its own opinions.

Comments defending the old language will be summarily deleted. You also acted without malice? Fine. Now you know better. Do better.

January’s Jalousie Sausage

(This post went to Patronizers at the beginning of January, and to the public at the beginning of February.)

The beginning of the year. Time to not only contemplate last year’s failures, but to select next year’s failures. Not that I’m cynical. Truly, what’s the point of setting goals you know you will accomplish? The trick is to pick goals that are fail-forward. If you decide to lose a hundred pounds but only lose thirty–you still lost thirty!

In that spirit, I’m planning to publish eight books next year: two nonfiction, six fiction. Chunks of five are already written, I just have to clean them up. If I fail, I will have published something. It will require stability and certainty, however. In 2024, I will focus not on making words, but on maintaining the conditions needed to make words. That means taking the time for exercising regularly, preparing large meals that leave lots of leftovers, and stepping back from things I can’t change. It’s an election year here in the US, but we already know which candidates we get to choose between and I’ve already decided who I’m voting against. I don’t need to know about the latest stupidity there. I need to work on things only I can do, because ain’t nobody else in the world mad enough to write a book on email or the novels I’ve had in-progress since 2019. I need to settle back into the writing pattern I know works well: write fiction for two hours in the morning, write nonfiction all afternoon, relax on weekends. The pandemic made all of this difficult, especially as my wife is a nurse practitioner and is regularly exposed to idiots.

I just did the annual accounting, and: despite all that, I managed to keep my 2023 income flat with 2022 and 2019. 2021 and 2022 were “fever years,” where my income spiked for reasons beyond my control. Having everyone locked inside with nothing to do but read is great for my business, but not so much for civilization. I achieved Enough, so I’m good. All I have to do is keep publishing.

Speaking of publishing: I’m debating how to publish Run Your Own Mail Server.

For OpenBSD Mastery: Filesystems, I did direct pre-orders from my web store. It worked. People were happy. I could do that again, or I could run it through Kickstarter. Kickstarter gave me great results for my wildly niche nonfiction. I don’t want to do both, however. Many of y’all will get the ebook free1 through your Patronizer benefits or through sponsorships, or even print copies, so I don’t expect you to take either route. If I do direct sales, I control the whole process. That’s nice. Kickstarter is not a sales platform, though. It is a discovery platform, the Sixth Circle of the nine-circle Customer Acquisition Funnel. You know, the outermost district of Dis, on the banks of the River Styx. Okay, fine, if I ever write “How I Make a Living Writing” I’ll use a “Dante’s Inferno” theme. Where was I? Oh, right. Discovery platform. Every time I run a Kickstarter, a few folks sign up for my mailing lists and buy other books. On the other hand, RYOMS is my best-sponsored book ever. How much crowdfunding do I really want to drag people through?

So, do I want solid money now, or less money and the chance of a broader readership?

Put that way, the answer’s obvious. Kickstarter it is. I’ll start to assemble that once I get the book to tech edit. The book is written with a Star Wars motif, so it’s tempting to try to do a promo video with actual production values. I need to resist that temptation, however. Mind you, if I ever do a book with a John Carpenter theme, I might revisit that decision. “This is not a dream. We are warning you of this book in hope that you can prevent it from being published” seems on-brand.

I guess that’s the secret to “How I Make A Living Writing.” I beg for money, but in a slightly entertaining manner.

So in 2024 that’s one Kickstarter for RYOMS, one for the giant fiction thing, perhaps a second edition of Networking for Systems Administrators if I can identify out a reasonable cross-platform netcat-alike with a consistent command line and TLS support, another nonfiction Secret Project, plus some classic art with mushrooms that could be parodied with Beastie and Tux, a small Kickstarter for the new Letters to ed(1). The FreeBSD Journal column will hit six years old this summer, so I’ll probably pull the years 1-3 book from print and replace it with years 1-6. I’ll probably keep that up for four more years, and let it die at ten. I can’t see the gag lasting much longer than that. Maybe the ten-year omnibus Kickstarter will feature a back-exclusive edition where I restore all the obscenity. Don’t worry, Patronizers are always considered backers, you’ll get the appropriate edition for your tier. I’m not going to offer a special edition of N4SA bound in Cisco salesman spleen and not send copies to my print-level Patronizers!

If all works out well, in 2024 I’ll be slamming out a big non-BSD book for a trad publisher. I’ve said before that I love win-win deals, and I think we’ve negotiated one. More details as events warrant.

This is the plan. Reality has its own plans. Those plans involve phrases like “monomolecular tripwires” and “release the hounds.” We’ll see who wins. I put $20 on reality.

But this month, I plan to finish the first draft of RYOMS. All that’s left is DMARC, webmail, touching on rspamd, and detritus like nolisting. I have the greatest of all gifts, which is hope!

Which means I’m gonna quit writing this now. Take care, y’all.

At long last: the MWL Title Index

I try to hold down the amount of information on this site. I truly do. I also try to keep the menus at the top no more than one layer deep. But finding individual titles on my web site has become increasingly difficult. People complain that they can’t find titles. Everything is filed logically, but logic is limited. Is “PAM Mastery” a sysadmin tool or an operating system reference? Should “$ git commit murder” be filed under crime novels or software crimes?

I maintain the official title list in my OID, accessible to the world via a trivial SNMP query. That MIB doesn’t have links, though. It never will. I’m not rewriting my OID if I need to reorganize my web site.

Here’s the brand-new comprehensive title index. Tech books, short stories and novels, the Canadian Version of ZFS Mastery, TTRPGs, it’s all there. Sort by title or release date or length or genre, you can find it all and a link to the book’s entry.

Most short stories that were released as standalones were pulled into collections, so those entries link to the collection. The point of the index is so that you can acquire a Thing, whatever the Thing is. Or learn that the Thing is utterly unavailable.

This also served as a double-check of my web site. To my shock, everything I know about has an entry. I’m not saying this is everything–I have no idea what I’ve forgotten. But what I know about, I have claimed.

Why do this now? I had to hire help to accomplish it. No way I was dredging through all this crap.

Las Vegas NV Gelato Meetup, 17 February 2024

Been a while since I’ve done this.

Family events are taking me to Las Vegas. The schedule’s pretty booked, but about 7PM on Saturday, 17 February, I’ll be getting gelato somewhere around the Paris hotel on the Strip. I won’t have books or anything, I’m just hanging out.

I haven’t picked a spot. I’ll be looking for somewhere sheltered but airy, with good gelato. Choosing a location will require extensive hands-on evaluation of the many available options.

More details when I find a place.

You want to meet me, this is your chance. Otherwise, consider yourself warned.